Exhibition Views
contemporary art gallery
Francisco Queirós
LES FRISSONS
LES ÉTOILES
E OS PIRILAMPOS
5 JULY 24
I'm using photography as a way to investigate and try to understand these seas. I attempted to make them more artificial and less natural.
Nuno Cera in conversation with Miguel Nabinho
Photographic documentation
Among the one-person exhibitions we can single out: “Drawings”, CAM, Gulbenkian Foundation; “Body Building”, Loja da Atalaia, Lisbon; “Rui Sanches, Retrospective”, CAM, Gulbenkian Foundation and “Museum”, Museu Nacional de Arte Antiga, Lisbon. Some important group-exhibitions were: the 19th São Paulo Bienal; “PASTFUTURETENSE”, Winnipeg Art Gallery and Vancouver Art Gallery; “Tríptico”, Europália 91. Museum van Hedendaagse Kunst, Ghent; “From Silence to Light”, Watari-Um, Tóquio; “Abstract/Real”, Museum Moderner Kunst Stiftung Ludwig, Viena; “Dentro y Fuera” Cáceres and “Serralves 2009 – The Collection”, Museu de Serralves, Porto. During the 1980’s his work was based on the deconstruction of paintings and genres of painting.
Francisco Queirós
Lisbon, 1972.
Lives and works in Sintra. Portugal.
Artist Bio
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Francisco Queirós
Lisbon, 1972.
Lives and works in Sintra. Portugal.
Artist Bio
Francisco Queirós
Lisbon, 1972.
Lives and works in Sintra. Portugal.
Artist Bio
"This is a path in which I establish a territory and I let things happen without interfering. On the one hand, it can be these digital experiments or it can be normal analog ones. (…) It’s to have an idea of a utopia in potency. In other words, something will happen here. If we let this run ad aeternum. On the one hand, we let something happen, and on the other hand, the time we have is not enough."
Francisco Queirós in conversation with Miguel Nabinho
